Textbooks:


Jones, J. and K. Harrow. Problem Solving with C++, Second Edition. Boston: Pearson Custom, 2009.


Jones, J. and K. Harrow. Problem Solving with C++. Boston: Pearson Custom, 2007.


Jones, J. and K. Harrow. Problem Solving with C. El Granada, CA: Scott/ Jones, Inc., 1996.


Goldberg, D., J. Jones, and P. Sterbenz. Programming with Assembly Language. New York: McGraw-Hill, 1988.


Jones, J. and K. Harrow. Problem Solving Using Turbo Pascal. Englewood Cliffs: Prentice Hall, 1986.


Jones, J. and K. Harrow. Problem Solving Using IBM PC Pascal. Englewood Cliffs: Prentice Hall, 1986.


Articles:


Jones, J., S. Persinger and W. Harris. "CodeLab: A Web-based Programming System for Computers and Robots." CUNY IT Conference. December, 2005.


*Jones, J. A. and Federman, F. "NEXTNOTE: A Classifier System to Learn Music." Presented at the First Annual Conference of the Society for Music Perception and Cognition, Philadelphia, PA, June, 1993.

 

*Jones, J., Scarborough, D., and Miller, B. "GTSIM: A Computer Simulation of Music Perception." Computers in the Humanities, 27, pp. 19-23.

 

*Scarborough, D., Manolios, P., and Jones, J. "MusicSoar: Soar as an Architecture for Music Cognition." Proceedings of the Fourteenth Annual Conference of the Cognitive Science Society. Hillsdale, NJ: Lawrence Erlbaum, pp. 1104-1109.

 

*Miller, B., Scarborough, D. and Jones, J. "Duration Discrimination in Meter Perception." Presentation in the Symposium on "Dynamic Processes in Music Cognition" at the Fourteenth Annual Conference of the Cognitive Science Society, Bloomington, Indiana, 1992.

 

*Scarborough, D., Miller, B., and Jones, J. "Connectionist Models for Tonal Analysis." In Music and Connectionism, Todd, Peter M. and Loy, D. Gareth, eds. Cambridge: MIT Press, 1991, pp. 54-63.

 

*Miller, B., Scarborough, D. and Jones, J. "Rule-based versus Parallel Constraint Satisfaction Models for Meter Perception in Music." In Understanding Music with AI: Perspectives on Music Cognition, Balaban, M., Ebcioglu, K., & Laske, O., eds. Cambridge: MIT Press, 1992, pp. 428-447.

 

*Jones, J., Scarborough, D., and Miller, B. "GTSIM: A Computer Simulation of Music Perception." Proceedings of the Colloque International "Musique et Assistance Informatique". Marseille, France, 1990, pp.435-41.

 

*Jones, J., Miller, B., and Scarborough, D. "Discovering Grouping Structure in Music." Proceedings of the 12th Annual Conference of the Cognitive Science Society. Hillsdale, NJ: Lawrence Erlbaum Associates, 1990, pp. 923-30.

 

*Scarborough, D., Miller, B., and Jones, J. "PDP Models for Meter Perception." Proceedings of the 12th Annual Conference of the Cognitive Science Society. Hillsdale, NJ: Lawrence Erlbaum Associates, 1990, pp. 892-899.

 

*Scarborough, D., Miller, B., and Jones, J. "Connectionist Models for Tonal Analysis," Computer Music Journal, 1989, 13(3), 49-55.

 

*Miller, B., Scarborough, D. and Jones, J. "Rule-based versus Constraint Satisfaction Approaches to the Perception of Meter in Music." Proceedings of the Second International Workshop on Artificial Intelligence and Music, IJCAI-89. Menlo Park, CA: American Association for Artificial Intelligence, 1989, pp. 26-35.

 

*Scarborough, D., Jones, J., & Miller, B. "Modelling Music Cognition: An Expert System." Proceedings of the Second Symposium on The Arts and Technology. New London, CT: Center for Electronic and Digital Sound at Connecticut College, 1989, pp. 132-146.

 

*Scarborough. D., Jones, J., and Miller, B. "An Expert System for Music Perception." Proceedings of the First Workshop on Artificial Intelligence and Music, Seventh National Conference on Artificial Intelligence (AAAI-88). Menlo Park, CA: American Association for Artificial Intelligence, 1988, pp. 9-19.

 

*Jones, J., Miller, B., and Scarborough, D. "A Rule-Based Expert System for Music Perception." Behavior Research Methods, Instrumentation, and Computers, 1988, 20(2), 255-62.